The royal journalist Robert Hardman recently released his latest publication Charles III. New King. New Court. The Inside Story, which covers the end of the previous reign and the beginning of this one. Confusingly the same book seems to have been published under at least three titles: I’m also seeing it called Charles III: The Making of a Modern Monarch and The Making of a King: Charles III and the Modern Monarchy.

Reading the whole thing will obviously take some time, but I have managed to get through the first few pages, including those covering the decease of Elizabeth II. I was particularly fascinated by this passage:

…for visibility, Prince Charles was raised on his mother’s mantra that ‘I have to be seen to be believed’. Immediately after her death, it became clear that he would abide by this. Duties and conventions which might have been spread over many months at the start of the previous reign kicked in almost immediately. His first broadcast as monarch was recorded within twenty-four hours (Elizabeth II’s first broadcast, which was by radio, came ten and a half months into her reign). There would be visits to all the home nations within days. Court mourning, which continued for two and a half months after the state funeral of George VI, would end precisely one week after that of Elizabeth II. In less than three weeks, the King’s cypher, ‘CIIIR’ (Charles III Rex), was ready and released for immediate use on post boxes, military uniforms and official documents. It had taken more than five months before the design for ‘EIIR’ was approved in 1952. Investitures were up and running again within the month.

Of course, this is still slower than I would have liked, especially in heraldic, numismatic and vexillological matters: Sixteen months into the present reign, there is still uncertainty about the arms of The Queen and the Prince & Princess of Wales (especially in Scotland), as well as His Majesty’s personal banners in most other Commonwealth Realms. Though in almost all cases it is trivial to predict what they ought to look like, there are few in which I am certain that such designs have actually been granted. In addition, I am still yet to personally encounter any coinage or banknote bearing the current monarch’s face.

The slowness in updating online profiles is particularly baffling, given that it requires no physical material to be changed. This month there has been a hint of movement by His Majesty’s Revenue & Customs, whose Twitter icon now shows the Tudor crown, although the logo on the website itself still uses the St Edward version. The cover images for recent policy posts show both versions in use, suggesting that the filtering through of the new design is still ongoing.

UPDATE (19th February)

The crown logo is now updated across government websites.