The Queen’s Reading Room today celebrated its second annual festival at Hampton Court Palace.
Rather than focus on the festival event specifically, of which I could not find much footage, I wanted to use the opportunity to write more broadly about the reading room as a concept.
At the start of 2021 Camilla, then Duchess of Cornwall, launched the reading room under her title as an online book club. In 2023, her husband having acceded to the throne, she reconstituted it as a charity and updated the name to reflect her change in status.
I had been intrigued by the royal couple’s literary interests since the pandemic forced so much of public interaction into the virtual space, and the bookshelf backdrop became an important element of one’s self-presentation. Conferences held from her study at Birkhall show her with at least three books by J. K. Rowling and six by Philippa Gregory — the latter suggesting an unorthodox approach to family history. Charles’s shelf was also the subject of some news articles.
The website contains numerous video interviews with authors, celebrity readings and, of course, a weekly podcast.
The most intriguing part of the enterprise, naturally, is in the particular choice of books: There is a page dedicated to Her Majesty’s own picks, which are named in batches of four every season (i.e. sixteen per year). As of June 2024 there have been fourteen literary seasons, resulting in a list of fifty-six books so far. I have listed them here oldest to newest.
| Pride & Prejudice |
Austen, Jane |
1813 |
| Frankenstein |
Shelley, Mary |
1818 |
| A Christmas Carol |
Dickens, Charles |
1843 |
| The Queen’s Necklace |
Dumas, Alexandre |
1849 |
| A Tale of Two Cities |
Dickens, Charles |
1859 |
| The Woman in White |
Collins, Wilkie |
1859 |
| Black Beauty |
Sewell, Anna |
1877 |
| Dracula |
Stoker, Bram |
1897 |
| A Book of Food |
Shand, P. Morton |
1927 |
| Rebecca |
Maurier, Daphne du |
1938 |
| I Capture the Castle |
Smith, Dodie |
1948 |
| My Family and Other Animals |
Durrell, Gerald |
1956 |
| Mrs ‘Arris Goes to Paris |
Gallico, Paul |
1958 |
| The Far Pavilions |
Kaye, M. M. |
1978 |
| War Horse |
Morpurgo, Michael |
1982 |
| Love in the Time of Cholera |
Márquez, Gabriel García |
1988 |
| The Remains of the Day |
Ishiguro, Kazuo |
1989 |
| The Light Years |
Howard, Elizabeth Jane |
1990 |
| A Suitable Boy |
Seth, Vikram |
1993 |
| Charlotte Gray |
Faulks, Sebastian |
1998 |
| The Poisonwood Bible |
Kingsolver, Barbara |
1998 |
| Atonement |
McEwan, Ian |
2001 |
| The Secret Life of Bees |
Kidd, Sue Monk |
2001 |
| The Kite Runner |
Hasseini Khaled |
2003 |
| Suite Française |
Némirovsky, Irène |
2004 |
| The Various Haunts of Men |
Hill, Susan |
2004 |
| Labyrinth |
Mosse, Kate |
2005 |
| The Island |
Hislop, Victoria |
2005 |
| Half of a Yellow Sun |
Adichie, Chimamanda Ngozi |
2006 |
| Restless |
Boyd, William |
2006 |
| The Book Thief |
Zusak, Marcus |
2006 |
| The Lords’ Day |
Dobbs, Michael |
2007 |
| The Year of Eating Dangerously |
Parker Bowles, Tom |
2007 |
| My Brilliant Friend |
Ferrante, Elena |
2012 |
| The Architect’s Apprentice |
Shafak, Elif |
2013 |
| The Red Notebook |
Laurain, Antoine |
2015 |
| A Gentleman in Moscow |
Towles, Amor |
2016 |
| Magpie Murders |
Horowitz, Anthony |
2016 |
| The Little Library Cookbook |
Young, Kate |
2017 |
| Where the Crawdads Sing |
Owens, Delia |
2018 |
| City of Girls |
Gilbert, Elizabeth |
2019 |
| Girl |
O’Brien, Edna |
2019 |
| Girl, Woman, Other |
Evaristo, Bernadine |
2019 |
| Lady in Waiting |
Glenconner, Anne, Baroness |
2019 |
| The Secret Commonwealth |
Pullman, Philip |
2019 |
| A Half Baked Idea |
Potts, Olivia |
2020 |
| Dark Tides |
Gregory, Philippa |
2020 |
| Hamnet |
O’Farrell, Maggie |
2020 |
| Miss Benson’s Beetle |
Joyce, Rachel |
2020 |
| The Mirror & the Light |
Mantel, Hilary |
2020 |
| Great Circle |
Shipstead, Maggie |
2021 |
| Left You Dead |
James, Peter |
2021 |
| The Fair Botanists |
Sheridan, Sara |
2021 |
| The Paper Palace |
Heller, Miranda Cowley |
2021 |
| Lessons in Chemistry |
Garmus, Bonnie |
2022 |
| The Whalebone Theatre |
Quinn, Joanna |
2022 |
The selection skews modern. While there are some obvious classics in there (e.g. Dickens and Austen) the majority of entries are from the present century. In this long list the only one which I personally recall reading in full is The Book Thief, about eleven years ago. Fittingly enough, that story is itself about the importance of literacy for intellectual development and freedom, in the context of living through World War II under the German regime that encouraged book-burning.
There are many others from which I have at least read extracts (or listened to them in audiobooks) or which I know by reputation.
The one which sticks out to me the most, given the regal patronage of the Reading Room is The Lords’ Day (2007) by Michael Dobbs. This is a political thriller about the Palace of Westminster being captured by terrorists on the day of the State Opening of Parliament, with fictionalised versions of Elizabeth II and her then-Prince of Wales among the characters. Dobbs (himself ennobled in 2010) earlier wrote the famous House of Cards/To Play the King/The Final Cut trilogy whose second instalment also features a fictionalised version of Charles — ascending to the throne thirty years earlier than in real life and then swiftly being forced to abdicate after a losing a constitutional battle against an evil prime minister. Also featured is Lady in Waiting (2019) by the Lady Glenconner (which I bought at a charity shop last year but haven’t gotten around to reading yet), a memoir which goes into great detail about her time with the Princess Margaret.
The historical novels also often touch on potentially-sensitive topics: e.g. Dumas’s The Queen’s Necklace and Dickens’s A Tale of Two Cities both centre on the French Revolution while Towles’s A Gentleman in Moscow deals with the Russian one. Seth and Kaye both write about British India, Kingsolver about the Belgian Congo. It would be hard to find a set of popular historical books set in Britain (whether fictional or factual) without encountering at least one about the royal family themselves. In this case Her Majesty chose Mantel’s The Mirror & the Light, the last in a trilogy about the career of Thomas Cromwell in the court of Henry VIII. There are quite a lot more books about Word War II as well.
The King also gets a look-in. Before his accession to the throne, the Prince Charles shared five of his favourite books: The Battle of the Atlantic by Jonathan Dimbleby, Along the Enchanted Way by William Blacker, Lustrum by Robert Harris, Travels with Myself and Another by Martha Gellhorn and Napoleon by Adam Zamoyski. That second book is likely particularly important to Charles, given his attempts to live that life himself.
There is a further section dealing specifically with children’s books, figureheaded by the Princess of Wales. On World Book Day 2022 Catherine similarly made five personal recommendations, and there are dozens more recommended by other friends of the charity. The proportion of these which I have personally read is higher than in the adult section but there are fewer interesting points I have to make about them.
It is also worth noting that while quite a few of the entries end up being about the royal family, there are so far as I can tell none of the books by them e.g. A Vision of Britain, The Old Man of Lochnagar, Crowned in a Far Country or Budgie the Little Helicopter. The Queen did, however, recommend one book by her non-royal son.
I daresay that Her Majesty is at times being a little, well, courageous in associating herself with some of these books. The monarchy strives to be above politics, yet literature is fundamentally about ideas and politics are never far away. A reading room project which took a wide berth from any possible controversy would probably end to watered-down to be worth doing, so Camilla has taken the riskier but more rewarding path. This was exemplified by her Clarence House speech in 2023 for the relaunch of the project, at which she told writers collectively to “remain true to your calling, unimpeded by those who may wish to curb the freedom of your expression or impose limits on your imagination” in what was widely perceived as an intervention in an ongoing controversy over the proposed Bowdlerisation of some classic Roald Dahl books. The edits ultimately did not go ahead.
FURTHER READING
UPDATE (June 2025)
I originally meant the title of this post to be a weak pun on the project’s actual name, but lately I have discovered that there actually is a newly-launched podcast called Reading the Room.
UPDATE (October 2025)
The Queen has, reportedly, gotten herself included in The Hawk is Dead, an upcoming crime novel by Peter James.
FOOTNOTES