Here We Go Again

As the minutes tick down until the end of December, I find myself once again resetting and archiving the talk page for my Wikipedia account, which I have already done on ten occasions before.

Some people think of time as a straight line, others as a circle. I have come to compromise by thinking of time as helical. The turn can be conceived of as lasting, hours, days, months, years or even centuries. Sitting at my computer desk now, ready to perform the same routine again, I find that the manoeuvre is ready in my muscle memory. It almost feels as if mere minutes have passed since I did this on 31 December 2023, or 2022, or 2021…

Conversely, events from earlier this year – such as the general election or the D-Day commemorations – feel a lifetime away. Perhaps the cycle of the seasons is to blame; by July it can be easy to forget the feeling of cold and darkness, and by January equally hard to remember the feeling of warmth and sunlight. Habits, timetables, wardrobes all change accordingly so that we almost inhabit two different selves with little knowledge of each other.

Christmas intensifies this effect, given the disappearance and reappearance of the same decorations each year, as well as the propensity of television and radio to endlessly rerun the same seasonal songs and specials. What’s more, Christmas is often a bit between, when work and school temporarily shut down. Once the rush of shopping for Christmas Day itself concludes, we find ourselves in the awkward denouement, the anticlimactic final week of the year when nothing much happens, which gives us time to reflect. It can all be a bit disorienting and existential, really.

What a strange phenomenon it is that memory and perception should vary in this way – over and over there will be weeks, days or even individual hours which feel excruciatingly long, yet somehow the year as a whole can go in no time at all.

An addendum to the Qatari state visit

Video

A week after the event, the royal YouTube channel has uploaded a seventeen-minute video of the state banquet given at Buckingham Palace. The footage itself is the same as found on commercial news channels, but what catches my attention is the little animation at the end – the title card shows the line drawing of the royal arms that appears on the header of royal.uk, including St Edward’s Crown. I am a little perplexed that this is still being used for these purposes given that a new illustration with the Tudor crown now appears for the channel’s logo. This little animation does not appear at the ends of earlier videos, making it an innovation that only debuted after the artwork itself had already become obsolete.

First Look at Royal Variety

It won’t actually be broadcast for a few weeks, but 2024’s iteration of the Royal Variety Performance was recorded last night at the Royal Albert Hall. His Majesty was in attendance for the first time in his reign, having last attended (virtually) in the somewhat abnormal edition arranged for 2020. The Queen was supposed to attend with him (having also done so in 2013 and 2016) but dropped out at the last minute due to the relapse of a recent chest infection (which also stopped her attending the annual Festival of Remembrance at the same venue).

No photographs or film of the performances themselves have yet been seen, but publicity shots of the cast and attendees are available through commercial photographers, and they show the logo of the Royal Variety Performance printed on the wallpaper of the backdrop. It very obviously uses Sodacan’s illustration of Elizabeth II’s royal arms with St Edward’s Crown instead of the Tudor one. The charity’s website is much the same – the background has a monochrome outline of the full heraldic achievement similar to that on royal.uk and a smaller representation of the same appears in the footer. When you hover the cursor over it, the outline changes to a full-colour copy of Sodacan’s graphic. I wonder how long that will take to update?

Ironically the royal box inside the hall features a textile version of the royal arms with the Tudor crown, which was evidently erected there before Elizabeth II’s accession and left there throughout her reign without update until it eventually came back into style. All fashions are cyclical, one supposes, even if this particular rotation took a very, very, long time to complete.

Public Domain Day 2017

Monochrome, a suited man with a moustache holds a book.

Wells in 1890.

In most of Europe, a work that is published within the creator’s lifetime remains under copyright for seventy years after their death. As 2016 ends, the works of people who died in 1946 become freely available to all. Such people include…

Helen Bannerman

Helen was born in Edinburgh, but after marrying an officer from the Indian Medical Service she moved to Madras for thirty years. She wrote several children’s books about the Indian people, most famously The Story of Little Black Sambo, in which a small child is chased around a tree by tigers. Bannerman was also the grandmother of Professor Sir Tom Kibble.

The Lord Keynes

Perhaps history’s most famous economist, John Maynard Keynes is the founder of the Keynesian school of economic thought which held that the state should intervene to buffer against depressions and recessions. He has a long list of publications over the course of thirty-six years, but his most notable is A Treatise on Money, where he said that a recession would occur where saving exceeded investment, and that a nation’s wealth should be measured by national income rather than possession of gold.

Paul Nash

Primarily an artist rather than an author, Nash was posted to the Western Front with the Hampshire Regiment where he made sketches of life in the trenches. When sent back to London with a broken rib, he completed a series of twenty images which went on exhibition twice. He was later commissioned as an official war artist. In his next outing to the front he made “fifty drawings of muddy places” which eventually formed another collection. In World War Two he was made an artist for the Royal Air Force where he produced paintings of aeroplanes and the Battle of Britain.

Herbert George Wells

Dubbed by some as the father of science fiction, Wells’s bibliography spans more than fifty years. As well as the obvious classics – The Time Machine, The Island of Doctor Moreau, The Invisible Man and The War of the Worlds – he also did non-fiction work such as Text-Book of Biology and a great many political publications such as War and the Future, The Way the World is Going and In Search of Hot Water and instruction books such as Little Wars which set out the rules for toy soldiers.

Further Reading:

2017 in Public Domain