Category Archives: Heraldry

Achievements of arms, and related subjects

Late-Summer Heraldic News

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In the past fortnight there have been a handful of significant developments in the world of British heraldry.

Firstly, on 15th August the College of Arms published the 76th edition of its newsletter. Much of the text deals with topics already explained (such as the coronation roll and the year’s garter appointments) but there were some new details, such as the grant of arms to the University for the Creative Arts, which will be another addition to my list on Wikipedia.

Secondly, there are two long-form videos on YouTube of armorial interest: On August 20th a video by the White House Historical Association about the making of the Presidential Seal and on August 23rd by American Ancestors interviewing the York Herald Peter O’Donoghue. These videos speak for themselves so I will not elaborate them.

Thirdly, and of most interest, is a Tweet from 24th August by Alastair Bruce. It includes three photographs from inside the High Kirk of Edinburgh, showing the stallplate and banner of Queen Camilla. There is not much of surprise about the composition of the arms – they show the arms of King Charles impaling the arms of Bruce Shand – but it is reassuring to have confirmation that both shield and banner exist in formal usage, given the persistent uncertainties of Her Majesty’s status in England.

The most intriguing of the three photographs is the one which shows Camilla’s stallplate accompanied by five other royal ones: In the left column are Prince William, Earl of Strathearn (middle) and Olav V, King of Norway (bottom). In the right column are Queen Elizabeth Bowes-Lyon (top) the Prince Philip, Duke of Edinburgh (middle) and the Prince Albert, Duke of York (bottom). The fact that these six achievements are put together like this is itself a little confusing since some of those members of the order had overlapping tenures so could not have occupied the same stall. Also noteworthy is the way in which the artistic styles have changed over the years:

  • The Prince Albert, (later King George VI) was appointed to the order by his father in 1923 and presumably this is what it says on the scroll underneath (although it’s not legible in the photograph). He uses the royal arms differenced by a label of three points argent the centre bearing an anchor Azure. He has the coronet of a child of the sovereign sitting on top of a forward-facing golden helmet, and the coronet itself is topped by the lion crest, gorged at the neck by another label of three points argent – although that one doesn’t have the anchor in the middle. While that could be dismissed as an omission by the painter (perhaps too small to draw properly) it is unmissable that this stallplate clearly uses the English version of the royal arms and crest as well as referring to the prince by his England-based title (Duke of York) instead of his Scottish-based one (Earl of Inverness).
  • Queen Elizabeth was appointed by her husband in 1937. Her stallplate shows his arms impaling those of Claude Bowes-Lyon. Again the English arrangement of the royal arms is used, especially confusing as Elizabeth was herself of Scottish ancestry. The shield is topped by the royal crown. I can’t work out if it is the English or Scottish version of the crown shown, given the vagaries of the art style.
  • The Prince Philip was appointed by his wife in 1952. His stallplate shows his arms as granted in 1949. He used the same coronet as his sons and uncles-in-law, but here it is depicted beneath the helm rather than atop it as in the other examples. Philip apparently used the same arms in every heraldic jurisdiction, as well as the same title. His personal motto “God Is My Help” appears on a scroll above the crest, as is the Scottish tradition.
  • Prince William was appointed by his grandmother in 2012. Earl of Strathearn was his secondary peerage, his primary being Duke of Cambridge. His arms are in the Scottish arrangement. He uses the coronet of a son of the heir apparent on top of a front-facing grey helmet with gold bars, itself topped by the Scottish royal crest. Both crest and shield are differenced by his label of three points Argent, the centre bearing an escallop Gules. The Scottish motto “In Defens” flies over the crest. The tinctures used for this stallplate look a little off, with the Or in particular being shown as a much darker shade of yellow than that used for all the others.
  • Queen Camilla was appointed by her husband in 2023. Her shield uses the Scottish arrangement of the arms. The royal crown is drawn rather differently to that used by her grandmother-in-law, but it’s still just as unclear which one it is supposed to be.
  • Olav V, the only foreign member here, was appointed by his first cousin one removed in 1962. Crests are not a traditional feature of Norwegian heraldry, but the royal crown of Norway is placed atop a forward-facing grey helm with gold bars. The mantling is Gules doubled Or whereas the British princes here use Or doubled Ermine. Domestic depictions of the Norwegian arms tend to omit helm and mantling altogether or use a pavillion Purpure doubled ermine.

Sightings in the Channel

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A few months ago I noted that, during the illness of her husband, Queen Camilla had been carrying out royal engagements solo, and had been flying the generic ermine-bordered version of the royal banner of arms.

The King has since recovered at least enough to be allowed out, and today Their Majesties jointly visit the Bailiwick of Jersey – a crown dependency in the English channel. Although a self-governing country with its own coat of arms, Jersey is part of the realm of the United Kingdom (i.e. it doesn’t count as a separate crown from the British one) and the sovereign’s heraldic identity is the same as in England.

In the disappointingly-limited series of photographs and videos I have found so far (none of them free-licence) I could not see much evidence of the sovereign’s banner flying over buildings, though I did see it on the roof of the Bentley State Limousine. What intrigued me was seeing (at 2m08s in the video above) some enthusiasts who had brought their own banner of Her Majesty’s arms and draped it over the railing. Based on the art style, I am dead certain it is a printout of this creation by Fry1989. The King actually reacts to it, though I can’t quite make out the words he says. The presumed owner of the flag says to him “I hope you enjoyed France last year.” in what I take to be a French accent.

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Thistle Day 2024

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Today was the last in a string of high-profile royal engagements that went ahead despite the ongoing general election – although there are reports that the traditional “royal week” has been shortened due to the need for His Majesty to run back to London on Friday to meet the prime minister.

Unlike last year’s Presentation of the Honours of Scotland, this was a standard ceremony of the Order of the Thistle. The Queen and the Duke of Edinburgh were due to have their banners installed at the High Kirk.

This excursion also featured the Ceremony of the Keys – which will be Alastair Bruce’s last as Governor of Edinburgh Castle.

It would be nice if I could include some photographs of either event, but it seems that unlike last year (when the Scottish Government Flickr account uploaded many) there are only commercial ones to be found. I hope that perhaps some amateur ones may be released under the right licensing arrangements soon. I also hope that we will soon get a good look at the Scottish arrangement of Her Majesty’s coat of arms – not that we don’t already know exactly what it should look like, but just to get proof that it exists!

The Emperor’s New Collar

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Naruhito & Masako, Emperor & Empress of Japan, conducted a three day visit to the United Kingdom this week. It was the third state visit to Britain during the present reign, and the first monarchical one since that by the King & Queen of the Netherlands in 2018.

The visit consisted of the expected activities – a state banquet at Buckingham Palace, then another banquet at the London Guildhall, as well as military parades and presentations.

According to the Court Circular for 25 June, the palace guest list included “Mr. Christopher Broad (Founder of YouTube channel, Abroad in Japan)”. This is thought to be the first time that a prominent YouTuber has been invited to a state event specifically in that capacity.

As is customary during state visits, the monarchs exchanged appointments to their respective orders of chivalry: Charles received the Collar of the Supreme Order of the Chrysanthemum while Naruhito became a Stranger Knight of the Most Noble Order of the Garter. It is a shame that his visit was not a few days earlier, or he could have marched in the procession.

File:Coat of Arms of Japanese Emperor (Knight of the Garter Variant).svg

Sodacan’s representation of the Japanese Garter arms.

Naruhito ascended the imperial throne in 2019 when his father Akihito abdicated. Japan now joins Spain and the Netherlands in having two Garter stalls simultaneously. What makes the Japanese representation different to the Spanish and Dutch is the different style of heraldry. The Japanese Imperial Seal is a mon representing a stylised chrysanthemum flower. Mon are normally standalone objects without a background – more visually similar to a Western crest or livery badge than a shield of arms. To make the symbol compatible with European heraldic customs for use in St George’s Chapel it is typically presented as the lone charge on a red background for the shield and banner, then again without a background as the crest atop the helm. The Emperor paid a private visit to Windsor Castle to view his predecessors’ stall plates there and to lay a floral wreath on Elizabeth II’s tomb.

The state banquet also marked the first appearance of the Royal Family Order of Charles III. Dating back to the reign of George IV, the royal family orders are an informal and highly personal decoration restricted to senior royal women. Each consists of a silk ribbon from which hangs a jeweled miniature portrait of the sovereign. The orders do not always have formal classes but their badges tend to come in different sizes which correlate to the seniority of the recipient. The colour of the ribbon varies: Charles III follows George V in using pale blue, whereas Victoria used white, Edward VII blue and red lined with gold, George VI pink and Elizabeth II yellow. The Queen was seen wearing the new Carolean order immediately above the Elizabethan one she received as Duchess of Cornwall in 2007, and there is a clear difference in size. The Duchess of Edinburgh also wore Elizabeth’s order to the banquet.

This state visit was a little unusual in that it happened during a general election campaign. Some changes had to be made to the itinerary to cut out the more obviously political elements: Unlike previous visiting sovereigns, the Emperor did not make an address to Parliament (since their isn’t one) and while the cabinet and opposition leaders attended the state banquet they did not have individual meetings with him. Notably Sir Keir Starmer and Sir Edward Davey were not wearing their respective knightly insignia.

Garter Day 2024

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Today saw yet another of the royal public events that were too big to cancel – the procession of the Knights of the Garter to St George’s Chapel, Windsor. As with other big public events, I primarily experienced it in the form of the passive livestream on YouTube.

The cameras followed the knights, heralds and other officers as they marched on foot from the castle to the chapel, then went back again by carriage. They also filmed a large procession of what I assumed to be security cars following along the same stretch of road, which took something away from the splendour of the occasion. The cameras did not go inside the chapel, instead just showing the crowds and guards waiting outside for the duration, but the microphones (wherever the may have been positioned) were able to pick up a reasonable audio feed of the speeches, sermons and hymns.

The new members being installed today were royal lady the Duchess of Gloucester and knights companions the Lords Peach, Kakkar and Lloyd-Webber.

Stall plates and banners as photographed in The Dragon. Artist unknown.

Earlier this year, at the prompting of Baz Manning, I subscribed to The Dragon, the community newsletter of St George’s Chapel. Although this mainly covers religious events, it is also often where knights’ armorial bearings are leaked for the first time. The edition of 9th June included photographs of the newly-delivered stall plates for Lady Ashton of Upholland and Lord Patten of Barnes, while that of 16th June showed the banners of Lords Peach and Kakkar. Apparently Peach’s must have been granted fairly recently, for the article claims that the sword is a reference to him carrying Curtana at the coronation last year. That means Lloyd-Webber is the only current member who remains at present armorially anonymous.

UPDATE (20th June)

The video I originally linked at the top of the article has been removed from Associated Press’s YouTube channel. All the other channels that also uploaded the same video seem to have removed it as well. For now I have replaced it with an amateur video by David Dumbrăveanu. The Daily Mail curiously still seems to have the full video up, and most other channels have at least small snippets.

The Proclamation in Public

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Yesterday I wrote about the text of the royal proclamation for the dissolution of Parliament appearing on the Privy Council website. Today it was actually read out in public.

Traditionally there are two public readings of the proclamation – the first is by the Common Cryer of the City of London (Major Peter Oweh, his first time doing this) on the steps of the Royal Exchange, the second is by the Lord Lyon King of Arms (Canon Joseph Morrow, now on his fourth general election) from the Mercat Cross in Edinburgh.

As with many ceremonial events like this it has been frustratingly difficult to find good visual recording – despite most big news outlets doing rolling coverage of the general election for the past few days. The London proclamation was filmed by The Daily Mirror as seen above and had a few still photographs taken by Getty. For the Edinburgh version I am limited to the Lyon Court’s own blog and this amateur video by Haizhen’s Hut. To make matters worse, the United Kingdom is far from the only country having a national general election this year and even just searching for “dissolution of parliament” often brings up articles about Israel.

Yesterday I received a campaign letter from the Conservative candidate for Beverley & Holderness, Rt Hon Graham Stuart. Cannily, I would presume, he had them printed and sent out on 29th May so that at time of writing he could still use the MP post-nominals on the return address of the envelope, even though he would cease to be one by the time most recipients of his letter actually read it. Electoral projections that I can find at this time are conflicted as to whether he will be returned or replaced by the Labour candidate Margaret Pinder.

Also of note are the writs of election, which of course the Lord High Chancellor has as per said proclamation caused to be issued. Medway Council recently published a photograph of the writs for the three constituencies for which it was responsible. These are, of course, the first writs for these constituencies to be issued in the name of Charles the Third.

That brings me on to another point – while dissolving Parliament is a routine part of the election process in many democratic countries, the return of the regnal name Charles in relation to such matters provokes some historical sniggering in reminiscence of the civil wars of the seventeenth century. It is curious, therefore, that the first British dissolution in this reign should be immediately after Oak Apple Day, the now-obscure commemoration of the restoration of the monarchy after the fall of Cromwell’s republic. The name refers to the Royal Oak, a tree in Boscobel Wood which Charles II used to hide from the Roundheads in 1651. Given that the oak tree went on to become the symbol of the Conservative Party, it is perhaps a little surprising that no senior figures in the party (or in the headline-hungry media) have made a prominent reference to it. Of course, once suspects that his present Majesty would prefer not to be drawn into partisanship in that way.

A Proliferation of Signs: Badges in the Medieval World

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It has been a while since I attended any virtual events by the Royal Heraldry Society of Canada. Today’s was rather different in style to the ones I remember during the COVID years.

The speaker was Ann Marie Rasmussen, Professor and Diefenbaker Memorial Chair in German Literary Studies at the University of Waterloo. Her lecture was divided into three parts.

Badges are small devices found mainly in north west Europe. They were easy and cheap to make, usually from pewter in moulds carved from stone. We have an example of a surviving stone mould in Mont-Saint-Michel showing the image of St Michael slaying the dragon. Pewter can show fine details well, but it has the weakness of tarnishing easily. Currently there are more than twenty-thousand medieval badges surviving in museums, and during the middle ages there were probably more than a million in existence. Badges were designed to be decoded. Pilgrim badges were one type, made and sold at holy sites showing religious imagery (e.g. one from Canterbury shows Thomas Becket, one from the Vatican shows crossed keys with a tiara). There survives an anonymous painting of Christ himself among the pilgrims, all of them wearing badges.

Almost all retainers and employees would have a badge to show the identity of the lord, household or organisation for which they worked. There are even examples of badges made of children’s toys. A 1432 portrait of the poet Oswald von Wolkenstein shows him wearing a badge of a dragon and griffin.

The separation of the spiritual and temporal realms is a modern idea. The types of badges often crossed over. Not all imagery was reverential – there are some humourous ones designed to resemble unsightly body parts, and there are records from medieval times of people complaining about indecent badges being worn and distributed around festival times.

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UPDATE (June 13th)

The Society has uploaded the lecture to its YouTube channel, so I am spared from writing out a long description of its contents.

Honour in the Eyes of Others

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The Oxford University Heraldry Society’s May lecture was given by Vicky Fletcher. It was a study of pseudo-heraldic shield motifs in historic church graffiti and medieval personal seals. She began by confessing that she was not a heraldic expert, and so “heraldic” was here used in a broader than usual sense.

The idea of chivalric knighthood was significant in the late middle ages. Heraldry was a free-for-all until Richard III gave a charter to the College of Arms in 1484. Large amounts of land became available during the reign of Edward III due to, among other factors, population disruption from plague and famine. Labourers could demand higher wages and much arable land was converted to pastoral. New landowners used heraldry to bolster their social status. This was the age of the burgeoning “middling sort”.

Her in-depth study was of All Saints Church in Worlington, Suffolk. The parish church was the centre of medieval life, although the new rich were also prone to establishing private chapels. All Saints Church would be one of the first buildings encountered by people who arrived from the river. Fletcher had looked in depth at the many motifs carved into the church’s walls but decided to confine herself to those which were shield-shaped. There were an estimated 390 inscriptions were found in the church, of which around 10% were heraldic in nature.

Heraldic graffiti was mainly clustered around four of six piers in the south arcade. Motifs do not cut across each other and defacement is rare, though a lot of it would have been whitewashed during the Reformation and then clumsily scraped off by the Victorians. The most common motifs were the bend, the chevron and the quarter (which in Fletcher’s terms included crosses and saltires).

There are many prominent examples of the arms of Jerusalem, probably used by returning pilgrims. Peasant rebels in Richard II’s time used the arms of St George. Heraldic symbols were widely used by merchants. There were also “personal seals” used by individuals in a private capacity. Peasants who rose in status might want to disguise their low ancestry to escape the notice of their former masters (and thus avoid having to pay tax to them).

A link to the full paper can be found here.

In for the short haul

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The digital illustration of coats of arms, and the uploading of such illustrations on Wikipedia, has been a pursuit of mine for more than seven years now. My productivity in this hobby has not been uniform. There have been some months in which I have uploaded nothing at all (e.g. October 2020) and others in which I have uploaded a great many (e.g. more than a hundred in August 2018).

The four months of 2024 so far have been at the low end, with only thirteen illustrations in the year so far – and April in particular having just one – that being the nineteenth-century judge Arthur, Lord Hobhouse.

This is not likely to improve any time soon, as I have long since exhausted the opportunities afforded by Burke, Cracroft and Debrett.

As I have mentioned before, I eagerly await the publication once every three months of the College of Arms’s newsletter, and the prospect of new blazons within, only to be regularly underwhelmed by the reality.

Yesterday’s edition did little to break the trend: Four new blazons were announced, of which only one applied to a person with a Wikipedia page. That person was Aamer, Lord Sarfraz, whose arms were actually granted two years ago and illustrated by me not long after based on the photograph shown on his website.

Much more interesting, and substantial, was the section about corporate heraldry. Two examples were given, one being the British Airways Board (again, already known). The newsletter was supplemented by a booklet about corporate grants, which was a substantial read in itself. Though the general principles described are those already articulated elsewhere on the college’s website, the style of the publication is radically different to what I am used to seeing from them and perhaps represents a significant change in approach. One might almost think they were advertising…

That Time of Year Again

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Lord Kakkar by Roger Harris, 2019 (CC-BY-3.0)

St George’s Day – 23rd April – is the traditional day for announcing new appointments to the Order of the Garter. The King today named three new ordinary knights and one new royal lady:

  • The Lord Peach, Chief of the Defence Staff 2016-18. This is fairly unsurprising as another former chief, Lord Stirrup, is also part of the order, as were many other (though not all) chiefs before him.
  • The Lord Kakkar, former Chairman of the Appointments Commissions for both the House of Lords and the Judiciary. He is most prominently known for his work in business and medicine.
  • The Lord Lloyd-Webber, one of the musical composers for the coronation, is probably the most famous. It is perhaps a little surprising that he went directly to the Garter and was not offered the Royal Victorian Order first.
  • The Duchess of Gloucester, President of the Royal Academy of Music since 1997. This appointment is a bit of a departure from convention as, while royals by birth are nearly all given the Garter as a matter of course (Princess Margaret and Prince Michael being odd exceptions), royals by marriage (unless their spouse be first in line to the throne or already sitting on it) generally are not. This honour is presumably in thanks for the additional duties the duchess has taken on since the winding down of Elizabeth II’s reign, and in particular during Charles III’s recent illness. It remains to be seen if the Duchess of Kent will be extended the same.

In addition to these appointments, there was some reshuffling of honorary offices among the other orders of chivalry which in recent years had fallen vacant or merged with the crown: The Queen was made Grand Master of the Order of the British Empire (last held by the Prince Philip, 1953-2021) while the Prince of Wales was made Great Master of the Order of the Bath (last held by Charles himself from 1974 until his accession).

The most revolutionary of today’s changes regards the Order of the Companions of Honour. This was created in 1917 alongside the Order of the British Empire and designed to reward outstanding achievements in art, science, medicine or public service among people who would not accept titular dignities. Appointments are made on ministerial advice. Currently the order has a quota of sixty-five ordinary members, of which two places are currently vacant. There is also one honorary member, the Indian economist Amartya Sen. Until now, no member of the royal family had been appointed a Companion of Honour. Given the origins of the institution, it seems a little odd that His Majesty (or the Prime Minister) would choose to create the supernumerary category of Royal Companion (similar to that in the Garter), and to make his daughter-in-law the Princess of Wales the first incumbent. This stands in contrast to the Order of Merit, in which Elizabeth II appointed both her husband and her son as full members on the same basis as all the others.

In armorial terms, obviously this will mean four new banners to hang in St George’s Chapel. The Duchess of Gloucester’s arms are well-known, and I have already found and illustrated those of Lord Kakkar (though doubtless his increased prominence will lead to a better rendering by a different artist soon enough), but Peach and Lloyd-Webber are a mystery – the former having been ennobled too recently to appear in the last print of Debrett’s.

UPDATE (24th April)

There are now three vacancies among the Companions of Honour, as it transpires that the Lord Field of Birkenhead died while I was writing this post.