

Public Domain Day this year is a little different: Relatively few artists of interest (to me, at least) have been released from copyright in Britain (probably the most culturally significant is the poet Dylan Thomas), but there have been major happenings overseas.
J. R. R. Tolkien died on 2 September 1973, so The Hobbit and The Lord of the Rings are set free today in countries with copyright terms of fifty years – most notably New Zealand, where Sir Peter Jackson adapted them for film. This might also have been the case in Canada, but the law was changed with effect from the end of 2022 to extend Canada’s posthumous copyright duration from fifty to seventy years. Tolkien’s works were thus among the first cohort to be delayed in their release. Of course, this only applies to works published in J. R. R.’s own lifetime – the great many posthumous works which were “edited” by his son Christopher (such as The Silmarillion and The Children of Húrin) will likely remain copyrighted until 2091 and those after Christopher’s death edited by Brian Sibley (e.g. The Fall of Númenor) could stay well into the twenty-second century (that’s before we even consider any other significant involved persons who may wish to claim co-authorship credit). The absurdity of this situation is compounded when one remembers that John Tolkien originally wrote some of these story ideas as early as the First World War.
The other big IP-related news story this year is the very long-awaited expiration of the copyright on Steamboat Willie, the 1928 cartoon film in which Mickey and Minnie Mouse made their first proper appearances. This film is now arguably less famous as an artistic work than as a symbol of copyright disputes, with the copyright term having been extended multiple times by acts of the United States Congress. From 2007 onwards Disney has been using an excerpt of the film as part of its production logo, which many perceived as a shift in strategy to have the image protected as a trademark once their luck with copyright extensions ran out. The Wikipedia page for the film has undergone a vast series of edits in the past twenty-four hours as multiple screenshots and stills are newly available on Wikimedia Commons.




No blazon is given, but my best guess for Blair’s crest is a mute swan’s head erased Proper holding in the beak a rose Gules seeded Or barbed slipped and leaved Vert.
The website also has a photograph of Amos’s crest. Whether this actually is a crest 