The Oxford University Heraldry Society often plays host to reasonably esteemed academics in their field, but incumbent officers of arms themselves are a rare treat. This evening our guest speaker was Bruce Patterson, Saint-Laurent Herald of Arms in Ordinary and Deputy Chief Herald of Canada. He gave us an overview of the history of Canadian heraldry from the sixteenth century to the twenty-first.

Canada began as a colony within New France, and thus naturally used the French royal arms. In the 1760s sovereignty was taken over by the Kingdom of Great Britain and exercised by the Hudson Bay Company. In 1826 the Canada Company was created to recruit Brits to emigrate to the under-developed parts of the colony. Both of these corporations had grants of arms.

Grants of arms to Canadian citizens were mostly the responsibility of the College of Arms and the Lyon Court until 4th June 1988 when the Canadian Heraldic Authority was established as part of the Governor-General’s office. The government at the time deemed the existence of a home-owned heraldic authority to be an essential feature of a sovereign nation. The physical headquarters of the CHA are found at La Salle Academy complex, along with the rest of the Canadian honours system. The individual offices of arms within the authority are named after Canada’s rivers. The Chief Herald has a blue and black tabard, but the other heralds merely wear morning dress in contrast to their British counterparts (as illustrated by a photograph from the Diamond Jubilee pageant in 2012). The CHA has an arrangement with the CoA regarding the supply of drawings of older grants, and the former lacks the latter’s vast genealogical remit.

The Authority issues grants on letters patent and, like its parent institutions, allows recipients to choose the level of extravagance and ornamentation in their design. A distinctly Canadian feature is that the blazon is written in both French and English, with grantees able to choose which language takes precedence. Other distinctive Canadian features are that male and female armigers use identical arrangements of elements and that cadency is determined on a personal basis rather than according to any standardised convention. Canadian grants often combine symbols familiar in European and Inuit traditions – most prominently in the arms of Mary Simon.

Patterson rounded off with some illustrations of the royal achievement of Canada itself, as well as the sovereign’s banner of arms and the new variant of the Tudor crown.

The lecture aimed for breadth rather than depth (as this blog post likely reflects), and served better as an introduction for beginners than a deep dive for the devout. If this proves to be the teaser for a long-running series I would be overjoyed, especially as I have not found many session of the Royal Canadian Heraldry Society advertised on Eventbrite for quite some time.