Pondering Thatcher’s Letterheads

About a decade ago when I first got interested in heraldry, I came across this article in The Independent by Ben Summers and Michael Streeter, dating all the way back to 24th March 1997, early in that year’s general election campaign*. It concerned the use of the British royal arms by the Baroness Thatcher on her official letters.

The wording of the article is a little confusing, and made harder by the absence of any images (unsurprising given the age): It alleges that Lady Thatcher abandoned the use of her own coat of arms for her letters and started using instead the royal arms, in the lesser format favoured by various government departments.

Thatcher’s own heraldic achievement

The journalists interviewed both Black Rod (Sir Edward Jones) who awkwardly declined to comment and Somerset Herald (Thomas Woodcock, later Garter King of Arms) who dismissed a suggestion (made by whom it’s not clear) that Companions of the Garter are specially entitled to use the royal arms in this way.

Government arms as used at the time

The article contrasts Thatcher to Britain’s two other living former premiers at the time – “Sir Edward Heath uses a simple House of Commons portcullis and a plain typeface, while Lord Callaghan simply types his name beside the House of Lords logo.” – and the main thrust is the piece is to play up the public perception of the Iron Lady as not being able to leave government behind and as believing herself as great as the reigning monarch.

Trouble is, I think this is a bit of a reach, given this sentence: “The normal House of Lords logo used by peers places the Arms inside an ellipse, together with the words “House of Lords”, making clear the state body to which the use of the Arms relates.”

With one hand Streeter & Summers allege delusions of grandeur based on Thatcher’s supposed use of the governmental coat of arms instead of the House of Lords logo, but with the other they tacitly admit that the two devices are near-identical anyway! While the page itself does not have any photographs, I have been able to find a handful of examples online as letters by public statesmen often become collectable items sold at auction. The impression I get is that, while letterheads for members of the House of Commons have favoured the crowned portcullis badge** since many decades before Thatcher’s premiership, those for members of the House of Lords at that time used the royal arms in an oval with “House of Lords” typed underneath. Letterheads for government ministers at that time followed the same pattern – the royal arms in an oval with the department name beneath – although there were some rare examples of ministries already using the more modern corporate-style logos that would become characteristic of the New Labour years.

If the authors meant that Thatcher was using the royal arms in her private correspondence – i.e. not related to her parliamentary duties – then they might have had a point, but that is not made clear. I would also note that in all the photographs I’ve found so far, none show peers using their private coats of arms in the headers – a shame, really, as that is one of the main reasons to acquire a coat of arms in the first place.

This could be an example of what the article alleges – albeit it’s from seven years too late.

I’ve tried searching for any documentation of the actual rules around the use of parliamentary letterheads. I found this page for the House of Commons but nothing so far for the Lords.

Here I have collated a series of examples of letters written by Lady Thatcher and other British prime ministers in their legislative (rather than executive) capacities.

Margaret Thatcher

  • 1966-04-01: Letter to Mr & Mrs Bland, with no personal letterhead but logo in top left corner, featuring even lesser royal arms in a portrait oval with “HOUSE OF COMMONS” arched above it.
  • 1971-10-27: Letter to illegible recipient with green portcullis in top centre and “THE RT. HON. MARGARET THATCHER M.P.” above it.
  • 1976-10-28: Letter to Misses Brett and Watson, with blue portcullis in top left corner and “The Rt. Hon. Mrs. Margaret Thatcher, M.P.” along the top.
  • 1991-12-09: Rear page of a letter to Ed Koch (former Mayor of New York City), with portcullis in blue in top left corner and “THE RT. HON. MARGARET THATCHER, O.M., F.R.S, M.P.” along the top, notable because she is no longer called “Mrs” but not styled “Lady” either despite Denis’s baronetcy.
  • 1991-12-12: Letter to E. T. Freeborough with same layout.
  • 1995-03-01: Letter to Rick Pallack with lesser royal arms (sans oval) in top left corner and “MARGARET, THE LADY THATCHER, O.M., P.C., F.R.S.” along the head.
  • 2003-??-??: Message thanking an unidentified well-wisher for his condolences after the death of Sir Denis, featuring the House of Lords logo as described with “Margaret Thatcher” underneath it and “THE RT. HON. THE BARONESS THATCHER, L.G., O.M., F.R.S.” in the footer. “P.C.” is omitted for some reason.

James Callaghan

  • 1990-09-16: Letter to Andy Wood with House of Lords logo in red and “THE RT. HON. LORD CALLAGHAN OF CARDIFF KG” above it in black. “PC” omitted here too.

Harold Wilson

  • 1973-10-30: Letter to Geoffrey Davis, with House of Commons portcullis in top centre and “From: The Rt. Hon. Harold Wilson, OBE, FRS, MP.” above, all in green.
  • 1994-05-??: Letter to Lynda Winston, with House of Lords logo in top centre and “The Rt. Hon. The Lord Wilson of Rievaulx KG, OBE, FRS.”

Alec Douglas-Home

  • 1970-07-29: Letter to Klaus Kuhneumund, with oval House of Commons logo and “From: The Rt. Hon. Sir Alec Douglas-Home, K.T., M.P.” above, all in subtly inconsistent shades of blue.
  • 19??-04-17: Letter to the Marquess of Lansdowne, with House of Lords logo in top centre and “From: LORD HOME OF THE HIRSEL K.T.” above it. “P.C., J.P., D.L.” left out.

Harold Macmillan

  • 1978-02-22: Letter to Harold Smith, with “From the Rt. Hon. Harold Macmillan” along the top, with “OM FRS” omitted.. There is no parliamentary logo at all as he was not a member of either house at this time.

Edward Heath

  • 1984-05-10: Letter to Felipe González, with portcullis in top left corner and “The Rt. Hon. Edward Heath, M.B.E., M.P.” along the top, all in blue.
  • 1991-02-13: Letter from Heath’s private secretary Robert Vaudry to Sean Bryson with portcullis in top centre and “From: The Private Office of The Rt Hon Edward Heath MBE MP” above it, all in black.
  • 2000-09-18: Letter to the Lady Harmar-Nicholls, with portcullis in top left corner and “The Rt. Hon. Sir Edward Heath, K.G., M.B.E., M.P.” along the top, all in blue.

More recent examples of backbench peers using the royal arms

On a semi-related note, I am still searching for evidence of armorial bearings held by Wilbert Awdry (who, incidentally, died just three days before that Thatcher article was published). Recently I have found some digital uploads of his letterheads, which feature a monochrome photograph of a steam locomotive, identified by the caption as Locomotive No.1 of the Sydney Railway Company. If he wouldn’t use a coat of arms there, where would he?

*The fifty-first Parliament of the United Kingdom was prorogued on Friday 21st March but would not be dissolved until Tuesday 8th April, with polling day on Thursday 1st May.

UPDATE (21st July)

Barely a day after I posted this, technology lawyer and academic Kendra Albert and software engineer Morry Kolman launched Heavyweight, an online letterhead composition tool which allows one to mimic the style of a legal firm. These letterheads are purely textual, so sadly no coats of arms to review.

On Admirals and Arundells

The Queen turned seventy-eight today. That’s not traditionally considered one of the big birthdays and so commemorations have been fairly muted. The most significant announcement was her appointment as Vice-Admiral of the United Kingdom.

The Vice-Admiral is the deputy to the Lord High Admiral, and it may be prudent to recap the outline of that office first: The Lord High Admiral is the ultimate head (originally operational, but later just ceremonial) of the Royal Navy. Appointments have been made since the late fourteenth century in the Kingdoms of England and Scotland, then later Great Britain. Occasionally in Stuart times, and almost permanently from Anne’s reign onwards, the singular office was not filled and instead the post was instead put “In Commission” – i.e. delegated to the Board of Admiralty with the First Lord of the Admiralty (a cabinet minister) as its chair. The creation of the modern Ministry of Defence in 1964 saw the Board with its First Lord dissolved and the title of Lord High Admiral resumed in the person of Queen Elizabeth II. In 2011, on his ninetieth birthday, she conferred the office upon her husband Philip. The status of the office following his death in 2021 is a little ambiguous but the general assumption is that it defaulted back to the sovereign and now resides in King Charles III. I had wondered if Vice-Admiral Sir Timothy Laurence would be appointed on his seventieth birthday this March, but this did not occur. The King perhaps intends to retain the top office for himself and have his wife as runner-up.

The Queen is both the first female and the first royal holder of the office of Vice-Admiral, whose previous recipients have all been career navy men (and indeed tended to hold the actual rank Full Admiral). Her Majesty’s most recent predecessor was the Lord Boyce, who was appointed in 2021 and died in 2022.

Below the Vice-Admiral is another deputy, the Rear-Admiral. This office is currently held by Sir Gordon General, a General in the Royal Marines who was formerly Vice-Chief of the Defence Staff and also served as Lord High Constable at the 2023 coronation.

The Lord High Admiral has a flag of office – a fouled golden anchor on a crimson field. The Queen was presented with a “burgee” (pennant) with a red anchor on a white background when she visited HMNB Devonport. I just about saw Camilla’s impaled banner of arms as well.

On another note, today is also the twentieth anniversary of the death of Sir Edward Heath, Prime Minister 1970-1974. His military career was on land, though he was a noted yachtsman in later life. He stayed in the House of Commons for twenty-seven years after his premiership had ended, which is considerably longer than all his successors combined. He is the most recent Father of the House to have served more than one term, as well as the most recent to have formerly been Prime Minister.* He is also the most recent example of the Order of the Garter being conferred upon an incumbent member of the House of Commons**.

Wikimedia Commons has long had a vector graphic (by Sodacan, of course) of Sir Edward’s shield of arms, but it was only recently that I discovered, through the website of the Heraldry Society, a photograph of the heralds’ illustration of the full achievement. Heath had no offspring, so the arms as a hereditament became extinct.

This anniversary means that Arundells, his house in Salisbury, will now have been his museum for longer than he actually lived there. He bequeathed the building to his namesake charitable foundation who then opened it to the public. There was a fear in 2010 that the house would need to be sold due to high running costs, which then developed into a legal battle, but as of 2025 the estate seems to be running as normal again.

It should be noted that the spelling is Arundells with two Ls, not Arundels with one. Incidentally, it was an Earl of Arundel who is listed as England’s earliest Lord High Admiral, so everything links up I suppose!

*I’m phrasing it that way because Heath is not the most recent Prime Minister to be Father of the House – that was Callaghan.

**I hesitate to say “sitting member” because St George’s Day in 1992 fell in the interlude after the general election (9th April) but before the new Parliament actually assembled (27th April).

Another Condolence Note

Yesterday the Prime Minister and the Mayor of London attended the memorial at Hyde Park commemorating the London bombings of 7th July 2005.

As with the Auschwitz memorial earlier this year, Sir Keir left a wreath of flowers with a card attached. The card uses the old version of the government arms. I’m guessing the pile of these cards printed during the previous reign has still not been exhausted.

A mere four days earlier, the Prime Minister, Secretary of State for Health & Social Care and Chancellor of the Exchequer had visited the Sir Ludwig Guttmann Health Centre, where they spoke from a lectern clearly adorned with the new, Tudor crown, illustration.

I’m afraid I don’t have anything profound to say about the bombing attacks themselves. I had yet to ever visit London in person at the time and my main memory of that month is that of a school assembly in which our headmistress asked pupils what they’d seen on the news and a few had followed the story enough to relay it. I also remember a CBBC drama being made about the event a year later, but that’s about it.

More Crowns, More Confusion

Recently the office of the Lieutenant Governor of the Canadian province of Nova Scotia released photographs of the erection of a decorative shield on the wall of the Drawing Room at Government House, featuring the cypher of Charles III. Aside from the violation of the rule of tincture (by having a golden cypher on a silver background), I was struck by the fact that it used the Tudor Crown, not the Trudeau Crown as at the federal level.

Photographs from as far back as the coronation in 2023 show that the Tudor Crown was already in use by the provincial government at that time, with the Trudeau Crown nowhere to be seen. Ironically Nova Scotia, as the name and shield both quickly give away, was founded as a Scottish colony long before the Acts of Union and was granted arms by Charles I in his Scottish rather than English capacity, using the Scottish heraldic style with the motto scroll above the shield rather than below. The unicorn supporter even wears the Scottish crown. Perhaps it would have made more sense for the cypher to use that one instead.

It might be prudent at this point to make a note about Canada’s viceregal flags. Until Elizabeth II’s accession all the lieutenant governors used the Union Flag defaced by their heraldic badge on a white circle in the centre. Quebec changed in 1952, using the provincial coat of arm on a large white disk on a plain blue background. The arms are topped by the Tudor crown. It seems the province never adopted St Edward’s Crown despite Elizabeth’s stated preference for it. In the 1980s the other provinces switched to a similar-but-slightly-different design with the shield topped by St Edward’s Crown on a blue background with ten golden maple leaves. As far as I can tell they have not changed over since Charles III’s accession. Nova Scotia was the last holdout with the Union Flag design, only changing over in 2024. This creates the paradox whereby the Scottish and French provinces of Canada are the only ones using the crown design named after an English & Welsh dynasty.

Closer to home, but also wider afield, The Queen’s Commonwealth Trust, a charity set up in 2018, announced on Friday that it would be rebranding itself. Anything set up during that reign (or the reigns of previous female sovereigns) with “Queen’s” in the name inevitably had some ambiguity about what would happen in the next one – did “The Queen” mean Elizabeth II personally and permanently, did it mean the incumbent sovereign (in which case it should have become “The King’s” in her son’s reign) or did it mean the incumbent queen whether regnant or consort (in which case it would now belong to Camilla, but in the reign of a king with no wife there might be no namesake at all). The trust has gone with the first option, renaming itself The Queen Elizabeth II Commonwealth Trust and changing its initialism from QCT to QECT. The press release said that existing social media handles would not change, although it didn’t specify if the website’s domain name would do so. Presumably this gives them an excuse not to change St Edward’s Crown to the Tudor Crown in their logo.

Checking up on the Blog (Again)

At the midpoint of the year, another review on the blog’s statistics. I will compare the view counts to the same months last year:

Month 2024 2025 Difference
Jan 293 447 +154
Feb 248 385 +137
Mar 364 461 +097
Apr 330 380 +050
May 387 382 -005
Jun 375 401 +026
Total 1997 2456 +459

This means I have already exceeded the total readership for 2023 and fairly soon will have outdone all years prior to 2024.

I have recently undertaken a substantial rewrite of the About page, as well as absorbing the Portfolio page into it, to make it better representative of the current state of the blog instead of just the period of 2015-19, as posts from that era tend to get few if any views. In particular I have dropped the “Recurring characters” who haven’t actually recurred since then and inserted instead a “Main themes” section.

Other changes may come later if I ever get around to them.

Some Heraldic Snippets

Today the Royal Household released the Sovereign Grant Report. I will discuss the actual substance of it – especially the planned retirement of the royal train – in a later article. For now I will note that the front cover and title page of the report both continue to use the old version of the royal arms with St Edward’s Crown. This was also true of the Birthday Honours published last month in the Gazette.

The Queen opened the Ratho Library in Edinburgh today. She travelled in the newly-acquired BMW G70 (also a topic for a later article) which had her banner flying from the bonnet. It was difficult to get a good look in the footage and the press stills don’t show it at all, but I think I could make out the impalement line, with the dexter side having a yellow top half while the sinister side was white on top and blue on bottom. That would indicate it to be the English marshalling of the royal quarters, surely an armorial faux-pas for an event taking place in the Scottish capital!

The Duke of Edinburgh is in Canada visiting his namesake island and regiment. The royal website’s page on the event depicts his Canadian banner of arms flying in at least one photograph, though again I can’t find it shown in any of the stills on Getty or Alamy.

Also last month another German car manufacturer, Mercedes-Benz, was recognised as a royal warrant-holder. I presume it will be the new Tudor crown illustration that they show, but I haven’t seen any photographs of it yet.

Mid-Year Reading Round-up

Having already posted some months ago a long list of all the books I’ve recently acquired, I suppose at some point I should say something about the experience of actually reading them. Here, then, are some mini-reviews of the publications I’ve finished during the period of January-June 2025, in no particular order.

The First Four Georges by Sir J. H. Plumb

Already reviewed in a different post.

The Extended Phenotype by Richard Dawkins

Although he is primarily famous for The God Delusion and maybe secondarily for The Selfish Gene, the professor himself generally regards this one as his true magnum opus. I’m not sure how famous Dawkins already was back in 1982, but this book feels as if written in his capacity as a biologist rather than as a public intellectual and activist. It is a much more academic work than his more famous ones and, having not been taught biology for just over a decade, I cannot claim full comprehension of the more terminologically-dense parts, but these aren’t really necessary for understanding the main thesis. Dawkins does not present new facts so much as a new way of interpreting facts we already possess: Normally the conception of evolution and natural selection is that they take place on the level of the individual organism, the family, the society and even the entire species. Dawkins instead looks at it in terms of the alleles of genes competing indirectly against each other with the organisms serving merely as a convenient – and disposable – host. The title of the book refers to Dawkins’s other big point that alleles affect the physical and behavioural characteristics of a species, which in turn affect the environment those species inhabit, as well as the ways in which other species evolve in response, so the phenotype of an allele in one species can be regarded as including the features observed in another species. The author also brings up a great many case studies of evolutionary adaptation and competition, including counter-intuitive examples such as between males and females of the same species, or even between parent and child! Of great interest here are his analyses of why some creatures are capable of adapting to “win” an evolutionary war while others are not. A theme which runs through the book as well is the difficulty of finding the vocabulary to comprehend these complex natural phenomena without slipping into metaphor and personification, which feels in some way prescient given the author’s later writings about religion.

The Final Curtsey by Margaret Rhodes

As with Lady Boothroyd’s autobiography, the early sections of this book felt a lot like reading my own grandmother’s childhood recollections, although from the opposite end of the class spectrum. Rhodes gives her account of her aristocratic early life, her experience of living through the war and her career as a courtier to the royal family. One thing that confused me a little was her choice of names for Britain’s senior mother and daughter after 1952 – the reigning sovereign is “The Queen” whereas George VI’s widow is “Queen Elizabeth”. Often I would get a long way into a paragraph before working out which one Rhodes meant. Despite being published in 2012, just four years before she died, Rhodes mentions a distinctly old-fashioned approach to writing. To modern eyes she appears curiously unfazed by the historical weight of her experiences, taking it in her stride that she dined nightly with the heiress presumptive while the bombs were falling, got roped into organising a faraway dynastic wedding, smuggled prisoners out of a country undergoing a violent coup and even watched a man drop dead in front of her. While the overall tone may seem a little twee at times it’s definitely worth the read and packs a lot into relatively few pages. The final days of the Princess Margaret and the Queen Mother are especially important for the record.

The Gathering Storm by Sir Winston Churchill

This is a very long book, and that’s only the first in a six-volume set amounting to more than three thousand pages in total. Churchill has written a great many well-renowned history books, but here it is a history in which he was a major protagonist so it also doubles as a memoir of sorts. The length here is justified as he writes in great detail about a multiplicity of topics, taking the reader step-by-step from the conclusion of WWI to the outbreak of WWII, with the volume ending at the point when he became Prime Minister. It’s astonishing to realise that he completed this enormous tome while he was serving as Leader of the Opposition, a feat of intellectual multitasking which feels impossible today. Given that Churchill’s reputation speaks for itself it almost feels redundant to comment further except to say that I am on the lookout for Volume 2, though given the backlog of books already accumulated it could take a while to get there.

The Glamour Boys by Sir Chris Bryant

Yet another World War II history, and also written by a sitting MP. Bryant’s behind-the-scenes account of the parliamentary machinations leading up to the war is in many ways complementary to Churchill’s own. The focus here is on the alternative, underground world that the “boys” were forced to inhabit, noting the parallels between their nonconformism, adamant against the mainstream of the time, on both personal and political levels. This book presents a major setback for anyone attempting a historical rehabilitation of Neville Chamberlain – his reputation before was of optimistic (or perhaps delusional) naivety rather than malevolence, but here he comes off as cruel and wicked in his attempts to suppress his glamorous detractors with an underhanded smear campaign. The only downside to this book is its length – at 448 pages it’s a rather weighty tome and it sometimes feels as if Bryant was padding it out to look more imposing on the shelves. Some critics have said he indulges too much in the lurid descriptions of the rebels’ relationships in the early part of the book, but I think the real waffle comes nearer the end, once the war has already gotten going, when the defining goal of the story has been completed and everything thereafter feels a bit more like generic wartime biography divorced from the specialist subject matter.

The King’s Painter by Franny Moyle

Going a bit further back this time takes us to the Tudor era. This is a biography of the portrait artist Hans Holbein the Younger, best remembered for his imposing image of Henry VIII. The biography covers the full length of Holbein’s life and career, with detailed analyses of his major works and the artistic innovations they represented. Not having studied the history of art (or art itself) much before I cannot fairly judge the quality of Moyle’s commentary here, except to note that she brought up verisimilitude so often it almost felt like a tic. Aside from the art itself, a lot of the book was dedicated to the religious and political upheavals in continental Europe which alternately expanded and restricted Holbein’s professional opportunities.

The Roman War Machine by John Peddie

Returning to the war theme but backing up even further to the ancient world, this is a book on the military structure and logistics of the Roman Empire. In some ways this felt like a throwback to my GCSE Latin course, in others like a memory of and educational field trip I might have done in primary school. This book is in English, of course, save for the heavy use of Latin military jargon. Peddie writes in detail, and with diagrams, about the ranks, formations, equipment and resources sustaining Rome’s military operations. Even here we cannot avoid World War II, for Peddie makes repeated comparisons to campaigns in the twentieth century to show the historical resilience of the Roman legacy.

The Penguin Guide to the Railways of Britain by Edgar Jones

This book was published in 1981 so a lot of the guidance here is obviously out of date now. On this note I would particularly highlight some lines from pages 36-38: “The Advanced Passenger Train represents the latest development in electric rail transport.”, “It is possible that a diesel-powered version of the APT will be developed for use on non-electrified lines.” and “At this moment 60 per cent of trains are diesel-powered. With the progressive introduction of the HST – the most advanced diesel-electric in the world – it is fair to say that this form of power has reached its apogee in Britain. Since electricity holds the key to the future, when these expresses become obsolete it is probable that the diesel, like steam, will disappear.”. The first fifty pages tell the history of locomotion in Britain from the early nineteenth century to the late twentieth, including the evolution (with diagrams) of different types of rail vehicles. The next three hundred pages take the reader around the country, region by region, explaining all the routes can be taken and all the stations that can be visited. The writing, though concise and eloquent, can be a little dry and it was difficult to keep up the momentum towards the end. From the way it’s structured, it less resembles a conventional reading book than the railway version of Burke’s and Debrett’s, so perhaps one is better off treating it that way instead of trying to finish it in a linear fashion.

Classical Literary Criticism by T. S. Dorsch

It is a little strange to realise that not only has literature itself been around for thousands of years but that literary criticism has been too. Even though the source texts may be as old as the fourth century BC and the translations into English were done in 1965, a lot of the prose still feels contemporary to one familiar with book and film reviews both amateur and professional. Indeed, a lot of the talking points would not have been out of place in a modern day “reviewtainment” video essay. There are multiple chapters on individual narrative devices, as well a the structures and purposes of different types of plays and comments on stories already performed in the writers’ memories. Most impressively, there are multiple instances when one of the writers goes into detailed analyses of the subtleties of another writer’s word choices and sentence structure. All of this, of course, has to be translated from Greek and Latin into English with the nuances intact. There are even times when one of them criticises another critic’s literary criticism, such as when (p65) Aristotle notes that “Ariphades ridiculed the tragedies for using expressions that no one would use in ordinary speech… these raise the diction above the level of the commonplace, but Ariphades failed to see this”. The introductory note by the editor explains who the sources – Aristotle, Horace and Longinus – actually were. The former belonged in the fourth century BC while the latter two belonged in the first. The gap between them is greater than between Shakespeare and Wilde, yet to us know they seem interchangeable, a good reminder of how long the ancient Greek and Roman eras really were.

Shadow State by Luke Harding

The book was just over three hundred page but I devoured it very rapidly. It tells of how the Russian Federation went from the collapse of the Soviet Union under Gorbachev to the emergence of Putin’s regime in which the military, business, the mafia and the President’s personal interests are all effectively merged into one and how this level of corruption affects not just Russia itself but also the other nations with which Russia interferes. The stories told are the ones you’d expect – Hillary Clinton’s emails, the Salisbury poisoning, and Brexit. There is some poetry in the timing: The book was published in 2020 as Trump was heading to the election he would lose. I bought it from Red Cross on 28th August 2024, as he was heading to the election which would see him restored. This also of course means that Putin’s ongoing war against Ukraine cannot be included, though there is much about the events leading up to it and Zelensky (suited and beardless) makes several appearances. The hero of the tale is Eliot Higgins, a journalist who created the Bellingcat online information exchange that allowed amateurs to monitor and scrutinise world events remotely. Harding resists the temptation to grant Russia an Orwellian omniscience, noting instead that Putin’s schemes often backfired or fell flat, that he only turned to online subterfuge because he lacked the funds for traditional spycraft, that many of his apparent successes – including Trump – were coincidence or blind luck and that the quality of Russian operatives had declined since Soviet times. The story of Salisbury assassins Chepiga and Mishkin, in particular, plays out as something of a farce. Nonetheless the death and destruction they caused is very real and, at time of writing, the threat feels as pressing as ever.

The Ricardian Century by John Saunders

This may be the newest book I’ve ever picked up from a charity shop, as I found it at RSPCA in February and the copyright notice said 2025. The book was in pristine condition and I worked very hard to keep it that way, although despite my best efforts a few bits of the corner flaked off before I’d finished it. This is the official history of the Richard III Society from its foundation in 1924 (as the Fellowship of the White Boar) to its centenary celebrations in 2024. The book is the product of a print-on-demand service rather than an established publisher and at times looks, to paraphrase Mark Corrigan, like a printout rather than a book. The cover design is especially poor: On the rear is a small square photograph of Saunders, in low resolution and squinting a bit, clearly cropped from a larger group shot, while the front has an equally-fuzzy raster of a depiction of the Society’s coat of arms from which not all of the white space has been cut out of the background. Aesthetic issues aside the contents are engaging enough, giving the reader a detailed look at all the twist and turns of both Ricardianism as a movement and the Society as an organisation. What fascinates me is that by all logic the Society ought to be a dissident fringe group. Though clearly there has been a shift in public attitudes to Richard III over the centuries (and certainly in this millennium) towards acquitting him of history’s more outlandish charges, the consensus among historians is still that he was the most likely perpetrator of the regicide of his nephews. Furthermore, as Ricardianism asserts that “the wrong side won” at Bosworth in 1485, and that sad side includes the current royal family, it is tantamount to asserting (much like the Jacobites) that the entire royal line thereafter to the present day must be illegitimate. Despite this the Society has been accepted by the wider academic community as a legitimate scholarly institution (even if they still ultimately disagree with its conclusions) and has even been accepted by the royal establishment with Prince Richard, Duke of Gloucester serving as Patron for more than half of his and its lifetime and the College of Arms hosting the book’s launch. George Awdry, Wilbert’s brother, is also mentioned a few times. One thing that really stuck out at me was the revelation (p93-4) that the Society was not formally incorporated as a legal entity until 2019, which made me wonder how they’d acquired a grant of arms in 1988, among other things.

For Gareth and the Empire!

Recently Gareth Ratcliffe, who represents Hay-on-Wye on Powys County Council, Tweeted a photograph of the royal warrant by which he was appointed an Ordinary Member of the Civil Division of the Most Excellent Order of the British Empire.

I have seen photographs and scans of similar documents before, but usually they were from a great many decades ago. I was interested to look at an up-to-date example.

The warrant begins with the sovereign’s full style (in English, of course) and concludes with the place and date. Notably it is accredited to St James’s Palace (which, rather than Buckingham, is the true headquarters of the crown), though I am quite certain that neither the monarch nor his clerks were actually in that place on New Year’s Eve signing thousands of such warrants in one go.

King Charles’s signature appears at the top of the page and Queen Camilla (in her capacity as Great Master of the Order) signs at the bottom. Six months ago I was told by the Foreign, Commonwealth & Development Office that warrants of appointment to these orders of chivalry do not depict a coat of arms, only the seal of the respective order. Embossed at the top of this warrant I can see that the seal itself actually contains the royal arms of the United Kingdom in the English arrangement, so the critical question of whether the design changes when in other realms is not necessarily resolved.

Also in the news this week was the 300th anniversary (or Tercentenary) of the Most Honourable Order of the Bath. The King (as Sovereign) and the Prince of Wales (as Great Master) attended a service in Westminster Abbey to commemorate. The cover of the Order of Service shows the seal of the order, which likewise has the British royal arms. I even found a photograph of a bound copy of the Statutes of the Order, which has the seal illustrated in full colour. There were also photographs taken of the stallplates of current and former Knights Grand Cross, including Great Masters. One hopes to see Prince William’s plate appear there too at some point, if only to get visual evidence of his full heraldic achievement as heir apparent.

The Railway Series at 80

Illustration of “Edward, Gordon and Henry” by William Middleton

Five years ago, for the seventy-fifth anniversary of The Three Railway Engines I came up with a poem based on Tolkien’s work adapted to be about the engines on Sodor.

Today is the eightieth anniversary of said book. I have pondered calling it 3-E Day, but doubt that would catch on. I would like to turn to verse again. This time, instead of adapting another poem, I have thought about what an anthem for the island might be. Truth be told, I don’t think The Island Song really works diagetically – it is too obviously written to be about a children’s television series. Instead here is something simpler: A variation on the royal hymn.

While the first verse of God Save The King! is almost universal across the realms and territories of the Commonwealth, there have often been custom extra verses with lyrics specific to the locality, albeit with many of the same core concepts (and indeed rhymes) cropping up in more than one place. This is my submission for the Sudrian stanza:

Our island is to me,
Homestead and sanctuary,
By Britain’s shore.
Bless this enchanted isle,
That years may ne’er defile.
Grant all Thy children smile,
For evermore!